Meticulous Maiden - Fair Flora

Hi!
It's been a while since I've posted some art along with my steps.
After acquiring a hand injury this piece was particularly challenging, especially since it's likely my most detailed illustration thus far.

I present to you my vision of the goddess Flora. This piece was inspired by various interpretations of flora I've seen throughout my life, and from quite recently a description of the Welsh goddess Olwen. In my version though, she is adorned with red clovers (for stylistic purposes) and she her hair is made from spring flowers. (Flowers include: clovers, dandelions, crocuses, camellias, magnolias, periwinkles, catkins, bell flowers, baby's breath, hyacinths, hydrangeas, lisianthuses, daisies, snow drops, lilies of the valley, morning glories, and perhaps some more flowers which I've forgotten.)

Oh, and this piece was for as set of promotional postcards.

Here's how it all came together:

The humble, little thumbnail

Rough sketch

Loose pencil. Really, if I penciled in all the flowers at once I would have gone bonkers.

Colour study. Ended up taking a different approach in the end

Inked line-work, stage 1. (I worked in chunks penciling and inking, one right after the other)

Inked line-work, stage 2. I decided to try out a method less familiar to me - 'silhouette inking' certain vines and leaves

Here, I coloured most flowers. (Still needed to paint her face and add more depth to certain sections)

(click to enlarge) Finished piece! Front and back of my postcard

close ups

Materials:
`Bristol Smooth Paper
`Micron pens
`Koh-i-Noor waterproof colour inks
`Gouache
`Watercolour

Approximate Size:
7.5 x 10.5 inches

"Violet Hour" - Patterned Meticulousness

"Violet Hour" by Mariya Olshevska

So here is the final illustration I did for the Decorative Illustration class, a.k.a my favourite class this semester. For this project we were particularly encouraged to go crazy with details and embellishments...and so I did. This piece didn't turn out to have as much compositional complexity as I originally wanted, but I still like it quite a bit. Originally I wanted Celtic knot-work in the background, which would then have finer patterning inside. So I guess I'll fulfill that musing in my spare time in the summer. I love swirls and patterns!

Anyhow here's the final piece and some of the process below:

thumbnail sketch

rough sketch

line work

Final Piece!

close up

another close up

 Info:
Image size: 15 x 10.3 inches
Bristol type paper
Line-work done with black micron pens ranging from 0.05 to 0.2, and a violet prisma colour pen of 0.05 width
+ a little bit of diluted waterproof ink for the pink blush in the cheeks and lips
Time: unknown, but far longer than 1 hour

P.S. - The title of the piece is inspired by the song "The Violet Hour" by The Civil Wars, a song which I love and imagine this illustrated woman listening to as her hair sways in the wind.

Lino-Cut Lady

Latest assignment for my Illustration Essentials class. Creating a self portrait using a lino-cut print.
Here is what I ended up with. Inspired again by Art Nouveau prints.
At first I left it with a violet background:

4 x 6''

Then I decided I wanted a white background:

4 x 6''

And then I wanted to see what it would look like if I tried to embrace the texture that cutting to the white created:

4 x 6''

So yeah, not really a particular likeness to me, but I wasn't really going for that. I guess it's more of a spiritual/personality portrait, haha. This was pretty fun:)

Initial sketch: