Showing posts with label review. Show all posts
Showing posts with label review. Show all posts

Tuesday, October 23, 2018

(Guest Post) Convention Review - Fan Expo Vancouver

Hello and happy October!

Recently, a fellow artist and attended Fan Expo Vancouver as exhibitors/guests and thought we'd share our thoughts on the experience. 

Please find below Seth Rutledge's impression of the event as an artist alley exhibitor.
You can also read it directly on his blog here: {blog link}
"Last weekend (Oct 12th-14th), I tabled in artist alley for FanExpo Vancouver, a yearly convention held downtown in the Vancouver Convention Center.
Location:
This year, the convention was held in the west building of the convention center, downstairs. It was the same location that Siggraph used in August, and where Wizards of the Coast holds the Vancouver Grand Prix Magic the Gathering event.
As convention centers go, it is functional, but plain. Unlike some cities I’ve been to events in, this space doesn’t have any food purchasing options inside the room, which is a little inconvenient if you just need a quick bite for lunch but don’t want to leave your table for a long time. Worse, there is no easy access to coffee! (Though there was a lemonade stand outside the entrance doors) Seemed like enough easy access bathrooms for that not to be a problem, and there is fairly easy load-in and out capabilities from the outside.
As another thing to be aware of, it is downstairs, underground. My girlfriend’s phone worked fine, but mine basically didn’t work for the entire con, and there was no free wi-fi. Something to keep in mind if you plan on using your LTE/4G for credit card processing!
The Con:
FanExpo Vancouver 2018 was a 3-day con, starting at 2:00pm on Friday for VIP badge holders and then opening up to everyone at 4:00pm, and staying open until 9:00pm that night. Saturday and Sunday started at 9:30am for VIP, 10:00am for regulars, and then went until 7:00pm and 5:00pm respectively. Friday was a LONG day, as I worked a half day in the studio before I came to the event. My scheduled setup time was from 10:00am-noon on Friday, but I didn’t get off work until 12, so I actually set up in the hour between 1 and 2. Not a big deal for me, and it worked out ok since my setup is not complex.
They only had one staff member handing out exhibitor badges when I arrived, and I’m glad there were only about 6 people in front of me in the line, as it wasn’t moving super fast. Slightly worrisome was that badge pickup was in the back of the exhibit hall itself, so we were permitted to walk right through everything with no proof that we were actually supposed to be there! The rest of the event, security seemed fine, but during setup, anyone could have walked in and taken anything from the many tables that were set up but didn’t have people watching them.
Like many smaller for-profit conventions, there weren’t a lot of panels or things to do except shop and get pictures taken with celebrities. Frankly, I have no idea what someone with a 3 day pass would do for the entire weekend. While not tiny as these events go, I could easily have walked through the entire hall and seen all the exhibitors in about 2 hours. It seemed like most people just bought a one-day pass, which I believe hurt my sales. Buying seemed focused on things people knew they wanted, and they weren’t there long enough to think things over and come back to a table that they might have shopped at if they were there for multiple days. It also meant that no one was holding out for Sunday to buy, so if you sell fan art that is in high demand, that might actually work out in your favor. Tickets weren’t that expensive in comparison to some other conventions, but given the relative youth of the attendees, might have taken spending money away from teens. My impression was that for many people, the event was the entertainment more than a vehicle for purchasing more things. If you are just looking to get into cons, nervous about crowds, or otherwise like things slower, this might also be a good con for you. Personally, I’m trying to maximize sales, so the larger the crowd, the better my chances.
I heard from several vendors that it felt slower than the year before. As I was operating my table, I don’t know how other rows faired, and sometimes things are not evenly trafficked, but our row felt pretty quiet. Using cosplayers as a measure, there was never a time when traffic was bad enough that a cosplayer stopping for photos blocked view or movement.
The entire con had a very anime vibe to it. Most of the cosplayers were anime characters, and  most of the vendors outside of artist alley seemed focused that direction as well. There were some other cosplay booths, and a couple of ones catering to video games and computer equipment, but I would have liked to see some more book sellers and comic book shops. Vancouver already has 2 other anime conventions, and I was hoping this would bring out more fans of other forms of the entertainment industry. It did not. Again, if your work sells well at those sorts of events, it might be a great thing for you, but I didn’t see a lot of the demographics that buy my work, and my sales were reflected in that way. I don’t do fan art, and primarily create more environment-based images, so my audience is not the same as those who are looking for pictures of their favorite character in a cool pose.
Con staff was wandering around but never talked to me while I was tabling - I also never needed anything, so that was fine. I do wish that our tables had a trash can, but it wasn’t that far to the walk my garbage to one at the end of the row. We did have the form to signup for next year waiting on our table Sunday morning, so that was well handled. One thing I did find frustrating was that both exhibitors and attendees were forced in a very spiral path to get down to the convention floor by foot, which was a pain when carrying heavy supplies or trying to make a quick run for food or coffee, since there were none in the hall itself.
Overall, it felt like a reasonably well run con, but not one where my target audience attends. It was actually my worst convention of the year, sales-wise. People were very friendly and complimentary of my work, but it wasn’t what they were looking to spend money on. It’s always fun to meet people and share the work I’ve been doing, but currently I do not have plans to exhibit next year. That said, I did make a few industry connections with people who walked by my table, and names on my mailing list that did convert into more Patreon support.
One other thing to note is that time time of year seems to fluctuate. Last year it was mid-November, the year before that I believe it was in Spring. This time it was middle of October, and in 2019 it will be in March!  Moving a con around like that makes it harder to plan your events, and is probably not helping FanExpo any."
My 2 cents: My experience was a mix between an attendee and an exhibitor's assistant. 
The volume of visitors, booths and entertainment at Fan Expo Vancouver was no where near San Diego Comic Con or Emerald City Comic Con. On one hand, it was kind of nice because the crowds of wandering people weren't overwhelming, so it was easy to see the merchandise at all the booths (some exhibitor tables remained empty throughout all 3 days) and attend any panels I wanted. Though, on the other hand, it also meant that once I was done seeing everything (which took only 2-3 hours at most, walking really slowly), there wasn't too much to do. I went to a several panels that interested me (one of which got cancelled), but that was about it for entertainment I could partake in.
There were some interactive things happening at the video game and tech booths, as well as celebrity autographs, speed dating, and themed cosplay meetups, but that wasn't really my cup of tea. 
Since I was on site to assist and had a complimentary exhibitor's badge, I enjoyed myself fine enough, but I don't think I would return if I had to pay for my pass(es). A day pass costs $30.00 CAD and I'm not really the type of person who can justify paying to get into an event just so I can spend more money to shop, etc, unless there are things there I REALLY want and wouldn't otherwise be able to acquire.
If you're considering going as a visitor, my recommendation would be to look at the event schedules and exhibitors lists ahead of time and decide if there's enough incentive for you to go.
On the assisting end of things, there wasn't too much that ended up being required of me, since it was not especially busy. Mostly I just helped with set-up + take-down and making food + beverage runs. I imagine, as an exhibitor you could get away with not having an assistant, though of course it's always good to have an extra pair of hands and eyes if your booths are constantly buzzing with people.
Thanks for reading!
P.S. - I'm participating in playing with inks for Inktober and will be making a post about that as soon as I finish all 31 pieces. In the mean time, you can see them appear daily by visiting my Facebook and Instagram pages. 


Wednesday, October 18, 2017

Wig Is Fashion (WIF): LF772 Wig Review

Happy Wednesday to all!

Today, I will be reviewing the "26 Inch, Straight Light Blonde Lace Front Synthetic Hair Wig LF772" from WIG IS FASHION (WIF).

Style Code: LF772
Color: Light Blonde
Cap Size: Head Circumference about 22" - 22.5"
Length Available: 26"
Wig Type: Lace Front
Lace Type: Swiss Lace in Nude Color (1.5 inches)
Parting: Any Direction
Material: Synthetic Fiber
Heat Resistant: 150C Heat Resistant




















Becoming increasingly more interested in costumed portraiture, I was looking to start putting together a solid assortment of higher quality looking clothing, accessories and hair pieces. The goal was to have a wardrobe that would look more believable on film, both in still and motion footage.

The biggest hurdle for this was the wig quality for the times when a look with long hair was preferred. So, I began researching into getting a front lace type of wig which would be to have the versatility for parting the hair in any direction, creating a larger range of hair styles, and have a more natural overall look.


In March, I decided to try one of WIF's wigs - "26 Inch, Straight Light Blonde Lace Front Synthetic Hair Wig LF772". And after reading and watching some tutorials on how to apply lace wigs, I decided to take it out for its first quick shoot on my birthday.
For the first look, it was styled into a simple half-updo. I used a stocking style wig cap that was a beige colour, and did not use any wig tape of glue.

On first glance, the results were pretty good, but as I wore the wig more and more, some areas of concern started to reveal themselves.

The overall rating I would give this wig would be: 3.25/5 stars.
Please find a detailed breakdown below:

1. Product likeness: Upon first looking at it and trying it on, there weren't any obvious differences with what was represented on the website and what arrived. The hair was approximately the same shade and length as on the website.

2. Quality and Comfort: Putting the wig on was not too difficult and I immediately enjoyed that the strands were more silky and natural looking than those from the more inexpensive wigs I've previously purchased. It felt fairly comfortable and it didn't get too hot for me to wear it for long periods of time. I do have pixie-cut short hair though, so maybe that helped. :) I think the hair looks pretty nice in photos, not too obviously synthetic or wig like, especially with the addition of accessories such as wreaths, hats, and hoods. Some Photoshop retouching is required at times, but not too much.

However, it was definitely more difficult to style this wig than some others because of issues in product quality. 

-For one, after putting it on for the first time, a track of hair fell out immediately, which was quite a surprise. I decided to have it sewn back in rather than trying to exchange for a new wig, since the other wig hair seemed to be still securely attached. 
-Another reason I found it difficult to style was because the wig was sparse in places, and even doing a simple half updo, or by parting the hair a certain way, would reveal the stripy wig structure underneath. (Click pictures to view larger)

So, that made the styling options much more limited. Not impossible, but we had to be very careful and strategic about styling, so that none of the sparse sections could be seen. (I had to get help from my mom, because she's far better at braiding hair than I am)
Strategic braiding to conceal any spareness
-The next factor which made this wig a bit more difficult to work with than I expected was its weight. Though not particularly surprising, because the hair is long, the wig was heavier and because of the weight, it kept sliding back where the forehead is, which led to revealing the wig cap/my real hair underneath. I will definitely be experimenting with wig tapes and glues to resolve this issue. 

3. Versatility: As I already touched upon in the previous point, this wig so far has not been as versatile as I hoped, because of the sparseness which limits the styling options. 

Regarding the styling possibilities using heat tools - since I do not own a curling iron which shows the degree temperature of iron, I was a little hesitant to give my wig rigorous curling attempts at risk of damaging it if my iron was hotter than the recommended 150C maximum heat. Though, I once put my iron on a lower heat setting and tried to give one strand a few curls. The resulting curls were very weak and the most impact was seen only on the ends. 
Using my flat iron was successful in straightening the hair though, which was nice. 

Curling attempt
 Another thing I noticed was that after I had some of my wig strand braided, left them braided for a long time (weeks/months), and then un-braided them - there was a gentle wave present. I'll be experimenting more with this in the future. 



4. Durability: So far, my LF772 is holding up pretty well. I haven't worn it too many times, maybe just 5 times for a few hours each, and haven't put it though bad weather, or anything like that. I think some of the ends aren't as smooth and silky as they once were, but this might be due to how long the hair on this wig is, making it more prone to tangling. 

Summary: At this time, I'm quite reluctant to purchase one of these types of wigs from Wig Is Fashion again, but I do see them having sales and promotions fairly regularly on their website, so maybe if the savings were tempting, I'd try again. For now, I'll just keep experimenting with the piece I have.


Thanks for reading!

Also seen in the photos from this post:

-Periwinkle coloured outfit: created by my mom, inspired by one of Legolas' outfits.
-Silver elven headpiece: created by SweetElvenChestnut

Till next time!

Sunday, October 1, 2017

ArmStreet: The "Knight of the West" Archer's Bracer Review

Hello!

I'm quite excited to share some photos and thoughts on some of my newer cosplay additions. Today, in particular I will be providing feedback on the "Knight of the West" Archer's Bracer from ArmStreet.

Before we begin, a big 'thank you' goes out to my family and boyfriend, who support my costume collecting. Many of the pieces form my cosplay closet are their generous gifts.

And now, let's get the photos and review.
The bracer I received was with the brown leather and stainless steel accents options, sized to the measurements of my arm. In a way, because of its long and treacherous journey this was the most anticipated of my costume pieces. (*Feel free to skip to the paragraph directly below, if you're more keen on the review itself)



The order was placed on November 23, 2016 and the piece was dispatched from the creation studio in Ukraine on December 13. Understandably, due to the custom and + hand made nature of the order, the holiday season, and the distance it needed to travel, it wasn't an expectation for the parcel to arrive before Christmas or New Year. However, when January 25, 2017 rolled around and there was no sign of the parcel or a tracking updates, we started to get a little worried and contacted ArmStreet. The customer service staff were very nice and talked through what could be done next.
When my boyfriend went to a Canada Post office with the tracking information we've previously had no luck with on the Canada Post website, the lady working was able to find some updates through her computer system. It seemed the parcel arrived in Ontario on January 9th, then at the British Columbia, Richmond facility on the 13th. Then, for some reason, the parcel was back in Ontario on February 2nd. There was no record of attempted delivery, or further information. Calling the national Canada Post number didn't help, and the representative on the telephone was far less informed and helpful than the lady at the local office. 
But then, somehow the bracer arrived a few days later, and exactly why it had so much trouble being delivered is still unknown. All the address information on the parcel was legible and correct. Maybe some things just need to happen to keep us on our toes?

Next, of course, the question is whether after the anticipation the piece met my hopes and expectations. The short answer is - yes
The long answer - I was very happy with the piece, but there were a couple of small things I thought could have been even better. Please find a detailed breakdown below:

1. Product likeness: The photo representation on the website is definitely in line with the product I received. Just like in the official images, the material quality was high and everything looked like it had been carefully made; from the design on the metal to the lacing and stitching. The biggest difference was the visual definition in the etched design on my bracer versus the one in the website photos, but this was a result of the material selected. As is indicated in the product description section - if this item ordered with the stainless steel option - the stainless steel accents will be non-blackened, as blackening cannot be performed on stainless steel.
That is absolutely fair enough and something I was expecting. But in that case, I think it would be nice to see images of this steel variant on the website for utmost transparency and to help with the decision of which metal is better for the purchaser's vision.

At work, where there are the most enemies.
2. Size and Comfort: The bracer was of excellent size and comfortable fit, with the right layering underneath. It became a little loose fitting and less comfortable if worn on a bare arm, but technically that's not the right way to wear this bracer anyway, as it should be worn with a gambeson or other under-armour gear. Nonetheless, I have worn it on bare skin a few times, without any resulting chafing or bruising.



3. Authenticity: Though, I'm certainly not an expert on what makes historically accurate weapons or armour, I'll say that for me this bracer had a solid medieval/fantasy inspired aesthetic, and I think it is great for various re-enactments, LARP events, costume contests, and cosplay. The piece also feels very durable - both in the sense that it could protect from some real-life force and that it could serve for many years of modern-day enjoyment, without much deterioration.
My only small concern was that the thread on the inner side of the bracer (the one used for lacing the bracer tighter) had a bit too much of a satin finish. Thought not particularly notable in the photos, in person it takes away from the realism of the ensemble. However, for anyone with this concern, it's not terribly difficult to go to a fabric or craft store and get alternative thread or leather which is sturdy and replace that portion of the bracer.


Summary: Yes, there is a little room for improvement. Honestly, where is there not? But I definitely think the product is good and the value for the customized, handcrafted work is certainly worth it. I definitely wish to acquire for more creations from ArmStreet in the future.


Also seen in the photos from this post:

-Wig: by Wig Is Fashion (WIF). It's the "26 Inch, Straight Light Blonde Lace Front Synthetic Hair Wig LF772" style.
-Daggers: "Daggers of Tauriel" prop replicas by Weta Workshop. (with DIY customization by me).
-Green Ring: by Badali Jewelry called "Lady's Elven Earth Band" in silver.
-Top: "Alexa Brown Brocade Steampunk Overbust Corset" by Corset Deal.

Thanks for reading!
More costume pieces + props will be reviewed soon.

Tuesday, April 25, 2017

Pilgrimage to Spectrum Live - Constructive Reflections

Hello my fellow internet wanderers!
I hope you’ve all had a good weekend and are looking forward to the days ahead.


Through some twists of fate I ended up in Kansas City for the Spectrum Fantastic Art Live convention.

In short, Spectrum Live is mostly an event created to celebrate the works of artistic in the publishing, video game, film industries that have ties to science fiction and fantasy themes. Typically, there are artist exhibit tables with prints and originals for sale, lecture panels, book signings, and networking opportunities such as portfolio reviews with industry professionals. Though it does sound more industry targeted, art enthusiasts are more than welcome to attend. 



"Created in 2012, SFAL is the annual show where the artists and students are the stars.

SFAL promotes diversity in the arts and provides educational opportunities. The event puts students, attendees, art directors and studios together to help build connections and jobs. SFAL’s mission is to grow the appreciation of fantastic art across all media. It also highlights the increasing impact technology has on the arts and provides platforms for these creators and innovators"
(Blurb from Spectrum's official page

View from the 2nd floor
This was my first year attending this event and my main objectives were to support my friends, make new ones, get a feel for the industry, and learn more about the Spectrum Live scene to see if it would be a worthwhile opportunity for me to continuously attend or even exhibit in the near future.


Overall, I had a good weekend, but I was moderately underwhelmed for a number of reasons, which I’ll explain below. I’m glad that I attended, but in hind-sight I don’t believe I would have made the same choice to go.


Reason #1 Crowd Turnout + Event Layout/Activities  

Although I’m not a fan of crowds and having fewer people perusing the rows of tables makes it much easier to chat up other artists, (even some of the more famous creatives like Donato Giancola and Paul Bonner) this makes the time for the exhibitors, especially those tabling solo quite a bit lonesome throughout the 3-day program. Likewise, as an attendee, though its fantastic to see so much beautiful artwork concentrated in one space, its easy to run out of things to see even on day 1.
I also began to wonder why the number in attendance was so small (at most, it seems like about 1,500 - 2,000 attendees in total for the 3 days). The cost was only $5 per day to the public/non exhibitors, and that included access to all the exhibitors, panels, parties and the Spectrum awards ceremony.  After a quick trip to the internet and some conversations with people wondering the same thing, I made some observations.

Observation A: An unfortunate scheduling conflict was that the Silicon Valley Comic Con and the Chicago Comic and Entertainment Expo (C2E2) were also happening at this time and might have influenced some fellow artists into choosing to dedicate their time, money, and transit efforts there. 
Another event to note is Planet Comic Con Kansas City which is scheduled for the following week (April 28-30).

Observation B: The layout and the space size for this convention was not ideal.

-Right off the bat it was noticeable that on the main (bottom) floor, the more well-recognized artists were located at the “prime real estate” spots of the floor - right next to the entrance, and/or a little further in, meanwhile the less known exhibitors were put further away. Likewise, on the top floor (which was akin to 360 balcony walkway that overlooked the bottom floor), the convention official guests and publications were all on one side, and the less known creatives were on the other. So, what happened was that most of the foot traffic would be concentrated around the famous artists at the front, and then trickle away towards the end of the rows. The more naturally curious attendees probably looked at everything, but those with a potentially lower overall interest/enthusiasm had less incentive to explore the whole room. A simple solution to this would have been to disperse the exhibitors that are known to attracting more crowds around the entire space. Perhaps one at each corner and some in the middle.

-Although the exhibit space was a comfortable size, I think a slightly larger space that could accommodate more spaces for demos, workshops, and lectures would not be a bad idea. For instance, the one space for the artist demonstration was just a corner on the second floor, and without a microphone or projection screen it got to be pretty hard to see or hear anything unless you were in one of the front rows at an angle which didn’t have the featured artist blocking the canvas with their body.

Even without the increased space size, the event could have greatly benefited from more demonstrations and talks in general. Over the 3 days there were only 10 panels/artist talks, 6 (1 hour each) painting demos, and 3 after hours events (not including the awards ceremony). To tackle both the visibility and lack of variety issue, I would have loved to see some primarily digital media practicing artists joining in the scene with their process available for following on screen through a simple projection set up. These artists could have been sourced from the event floor, which would have given welcome exposure to some of the exhibitors.

Reason #2: Cost vs. Profit
Although Spectrum Live was full of kind creatives to connect with, it was far from a high sales event.
The community is incredibly welcoming, and if you feel like you are creating work in a vacuum in your home, this is an amazing opportunity to find like-minded people who go through the same struggles, worries and know what it means to be an artist.

However, as there was little walk-in traffic, one is mostly left selling their work to other artists. This limits your audience to a group that are often likewise concerned about their margins. I talked to several artists this year who expressed frustration at just how little money they made. Several said they didn’t even cover the costs of their taxi to and from the airport. And these weren’t even students, recent graduates, or artists very new to the industry. These were knowledgeable, published illustrators who have in some cases been nominated for awards in the Spectrum Annual.  

It is important to remember that for many attendees, it is not always the goal to break even, but rather to advertise and make connections.  It was, nonetheless, disheartening because there were not many people around for even for that.

For someone like myself - an artist who freelances but supports themselves through a different job, lives fairly far away from the event, and has no one in the city to stay with, it can be a pretty costly venture. Given that there appear to be bad odds of making at least a good chunk of expenses back through sales, there are some issues.

Let's look at some of the costs to put thing in perspective:

Table cost: As an exhibitor, there are 2 options - the full “booth” table on the main level is $350 USD, and an upstairs table is $250 USD. The main floor “booth” table comes with 4 badges and the upstairs table with 2. The good thing is, these tables can be shared and the costs split. Please note that the table can comfortably hold 2 exhibitors, but 3 would be a bit tight.

Travel cost: Approximately $500.00 USD from Vancouver, Canada even if booking far in advance. Kansas City is not a large hub, so flights in general are fairly expensive.

Transportation: From the airport, it is possible to take a shuttle bus for $36 one way (for up to 3 people in a group), which can be cheaper than a cab or ride-share service.

Lodgings: For a hotel nearby the convention center with the special event rate applied, the cost was about $185 USD per night. Given that the festivities start on Friday afternoon and end on Sunday night, traveling in a non red-eye frenzy will make it a 4 night stay with a $750 total price tag. (Again, if not being split with someone else.)

Food: I tend to hit the middle-ground for spending money on food and beverages while traveling and I spent about $150 for my trip.
*It should be noted however, that many of the after hours events where creatives schmooze are at bars, where it is expected to buy a drink or two, which can quickly add to the cost.

So, in TOTAL the cost for me to exhibit (as a solo exhibitor and traveler) would have been around $1800 USD; printing, shipping and additional transportation costs not included. Or about $1500 USD to just attend, again if the travel costs are not shared.

Now, to me that's not a cheap. That’s quite an undertaking, which could alternatively pay for a very relaxing all-inclusive vacation in the Caribbean, or a new Cintiq, etc.

That’s not to say this type of trip isn’t worth it. Making the right connection with an art director who hires you for a great gig can potentially earn back those spendings and make a positive and lasting impact on your career. But what are the odds of that? This question brings me to my next point.

Reason #3: Quantifiable Networking Potential
With the relatively high cost of exhibiting compared to attending, this opportunity needs to have quantifiable good odds. Sadly, that wasn't the case this year. This year, there were only about 4 art directors from 2 companies of varying influence and if they weren’t at their designated portfolio review spot, they weren’t seen walking the floor, interact with artists there.

Four people from book publishing and table-top RPG is only a small sub-section of the industry, and for a fair number of talented artists, doesn’t really represent the client base they would be selling to. There were no art directors from film, video games, children’s books, animation, editorial or advertising.

Additionally, this year, instead of having signup sheets for review, the directors had a lounge area, and people had to line up to talk to them - which I think was fine for attendees, but for those who had a table (with no table assistant), it was very hard to talk to one of them without a lengthy wait away from their table. Some people I talked to had to wait for up to 2 hours for their few minutes of portfolio review.
This is both bad for the sales of the exhibiting artist, and bad for the attendees who have paid to come and talk with the exhibitors - who may have vanished to wait in the art director line.

With the much higher price tag of exhibiting vs. attending ($250-$350 a table vs $5 per day) it would have been nice to see the exhibitors get a little more consideration and incentive for investing so much time and money. Even by simply allocating a part of a day, like a Saturday morning or afternoon with a sign-up system for only exhibitors, would have relieved some tension and shown appreciation for their effort. After all, they are a huge part of the event itself. And again, having more art directors or resourceful and influential persons from the various aspects of creative entertainment industry available for constructive feedback would likewise be very much appreciated and encourage artists to attend this event year after year.

Conclusion: Risk vs Reward

To those who are still reading - thanks for making it this far, and I hope this hasn’t come across too disheartening. I truly had a lovely time meeting some wonderful people, listening to great stories, and buying some gorgeous art prints I’ve been dying to get my hands on. (Middle-Earth themed apartment, here I come!) I don’t know if I’ve ever been in a space with so many smiles and welcoming individuals.

On the other hand, I can’t help but assess things in the chess-board risk and reward reality we live in.

If you’re a fantasy and sci-fi loving artist who lives in the hosting city, I would absolutely encourage you to learn more about the Spectrum Fantastic Art Annual, Spectrum Live event and definitely attend. And if it makes sense for your budget and career status - get an exhibitor's table.

If you’re someone living further away, are more budget conscious or are newer to the illustration and concept art scene - I would suggest to do your research of the programming the year you’re planning to attend, and do a little comparative research to other events like IlluxCon, CTN Expo, Illustration Master Class, Schoolism events, One Fantastic Week, and various (large) comic conventions. They also present the opportunity to speak with and learn from peers and industry leaders. Many of these events also have attending art directors.

If you’ve got the time and budget, then absolutely go to Spectrum Live and try all the above mentioned events too, if you’re brave enough. :). Events in general are an awesome addition to an artist’s arsenal of tools to achieve success! 

Anyhow, I'm off to paint
For more content, follow me on Instagram. 

Me, inside another room of the convention building, eternally cold because of air conditioning.

Sunday, February 26, 2017

RedBubble Postcards Review

Good morning!

Today I'll be sharing with you my impression of the postcards from RedBubble.

On February 2nd, RedBubble celebrated it's 10th Birthday and to thank their participating artists they were giving out vouchers respective of the sales made that day.
I was thrilled to receive a $10 voucher and in the end decided to spend it on getting postcards made with some of my latest artwork.

These are:
-$1.58 USD each in "artist price" (Meaning if you have a RB account and order postcards of your own work, that's what you'll pay)
-300gsm card with a satin finish
-Discount of 20% on every order of 8 cards
-Discount of 30% on every order of 16 cards

*Postcards do not come with envelopes

I had ordered pieces from RedBubble's greeting card category before and wasn't too satisfied with the quality, but as that was 6 years ago (in 2011) and there were many improvements on the RB site since then I thought I'd give cards another go.

I ordered my cards on February 16th and they arrived on February 23rd. Impressively fast considering I chose the standard shipping option!

Now, lets evaluate the quality.

Accuracy Verdict: Mixed Feelings
At first glance they seemed pretty solid, but once I had a closer inspection I was a little less happy with the product.
-Looking at the cards with my Illustrator and Photoshop made vector trees that have really smooth curves in the original file, on the printed postcards they appeared to have a more jittery appearance. Given how much effort I spent making the branch curves smooth, it made me sad to see them with these jitters. If I had to guess, I'd say there was some compression issue.
My  original image
Original image closeup: as you can see - nice and smooth lines.
The RedBubble postcard. (Click on the image to view larger)

Close up of the jittery lines (Click on the image to view larger)

In comparison, cards featuring this style of artwork printed from Moo.com, don't have this issue.
Postcard printed from Moo.com. Zooming in to view the full sized image you can see the lines are very crisp in comparison.

-However, the jitter was much less apparent on the postcards with my painterly artwork, without outlining or heavy straight lines, such as "The West Wind". As the artist, I can still see a little bit of it, but I wouldn't be too worried about my customers noticing it on postcards featuring this style of art.
RedBubble Postcard with "The West Wind" Illustration.
Colour Verdict: Good
The colour correctness was very good. The hue was accurate for all cards, though I noted that for the Elvish Trees series cards the printing came out darker and some of the subtle colours in the textured background were lost. (This is easier to see in person vs on the photos due to the interference lighting causes.)
My tree elven images. (Click on the image to view larger)

RedBubble Postcards (Click on the image to view larger)
Paper Quality Verdict: Good...but watch out for scuffs
The paper has a nice weight to it and a smooth surface. Like indicated under the product info: a satin finish. The back side of the card has the nice classic postcard layout, making it really easy to see where (should you use the postcard in the traditional way) the recipient's address and stamp should go, as well as clearly printed artist's name and their RedBubble url.

(The downside, is that if you're an artist ordering your art as postcards and aren't happy with your RedBubble artist url, then that's just too bad for you, there's no customization available for the backside of the postcard. Then, you can be like me and regret becoming active online during the time where everyone had weird pseudonyms instead of using their names. Please don't ask me what ozureflame was supposed to be.)

HOWEVER...it seems that the combination of the ink and this type of paper make the edges of the cards prone to scuffing if the image goes to the edges, particularly with a dark background. Knowing this, an easy fix would be to upload images or order pieces which have a white border or a light coloured background.
Scuffs appeared shortly after I received the postcards.
OVERALL VERDICT:
The product has very good potential. My suggestion would be to invest in postcards if the art you're printing has a painterly style, rather than something very simple and graphic in style. Also, I would again advise in adding a subtle, white border to your works in order to counteract scuffing.

At this time I'd like to note that I haven't experienced any issues I described today with RedBubble prints outside of the greeting card category and was very happy with the results of my prints. To see my review of their art prints, check out this post.


Thanks for reading and I hope this has been useful to some of you. If you're enjoying my reviews and impressions type posts, stick around because next time I'll be reviewing Society6 ceramic mugs.

Bye for now!

Wednesday, February 8, 2017

Winter Adventures - ArmStreet Coat Impressions

Good evening!

Before we get started, please excuse the weird, inconsistent font sizes of my text and spacing. Blogger is on the fritz again.

Tonight will be another post dedicated to sharing costumed photos. I'll have some a set of illustrative designs to share here with you very soon, but in the meantime you can catch them one at a time by following my Facebook Art Page, Instagram or Tumblr.

Anyhow, at the beginning of winter I was introduced to the ArmStreet online store and naturally I fell in love with a great number of pieces there. 

ArmStreet artisans create medieval and fantasy style costumes, authentic handmade footwear and LARP boots and shoes, leather and brass accessories and, of course, our armor including a new line of lamellar armor suits, gothic armor, and regular heavy-combat armor. All our products will be custom-sized and shipped directly from workshops in Russia and Ukraine.

Since my biggest interest was to create a winter friendly wardrobe for fantasy photo-shoots, I decided to invest in a wool coat which I thought looked rather elvish. And once I saw that there was discount code for free shipping, I took it as a divine sign to proceed. =)

The chosen coat was called the Long Woolen Gothic Coat "Blackbird". It could be custom made to my measurements and there were a number of colours to chose for the fabric and accents. I chose the burgundy and silver motif.

Buntzen Lake, BC. (That satin sure is shiny.)
Technically, this coat is made of pure woolen cloth. Its hard to recognize, but you need really tones of wool for it's wide sleeves and long skirt. Coat is decorated with silver lace and silver color clasps. It has lacing on the back which can be used for slim waist fit. Coat is lined with black satin.

Source: https://armstreet.com/store/medieval-clothing/long-wool-gothic-coat-blackbird

Technically, this coat is made of pure woolen cloth. Its hard to recognize, but you need really tones of wool for it's wide sleeves and long skirt. Coat is decorated with silver lace and silver color clasps. It has lacing on the back which can be used for slim waist fit. Coat is lined with black satin.

Source: https://armstreet.com/store/medieval-clothing/long-wool-gothic-coat-blackbird
This coat is made of pure woolen cloth. It is decorated with silver lace and silver color clasps. It has lacing on the back which can be used for slim waist fit. The coat is lined with black satin.

I ordered it on December 4th, 2016 and it arrived on January 19th, 2017. I though this was a reasonable wait time taking into consideration the holiday season and the of course the custom work.
With the power of my bell sleeves, I try to summon snow!
When I tried it on, I was very impressed with the great fit and quality. Very figure flattering and very warm! I couldn't wait to go out and give it a test drive. I hoped to find some snowy woods for a shoot on a rain free/snow free day, but alas, though it was originally forecasted to be clear, rain did set in. But we decided to proceed anyway, since all the hair, make up and so forth had already been done and should not go to waste.

The strategy was to bring umbrellas and shoot deeper in the woods where the trees would provide cover from the rain. We ended up shooting at Buntzen lake and around the hiking trails of Westwood Plateau. 

On this day I wore the same outfit (minus the cloak) as in the previous costumed photo-shoot I shared. I just added the coat on top and put gloves on in some instances. It was around 5 degrees Celsius outside and the coat kept me very warm. My only struggle was continuously lifting it off the ground while moving from spot to spot so that the bottom wouldn't get dirty. I did wish the hem was just a touch shorter in that moment.
Coquitlam, BC

The following week it snowed and my winter wonderland wishes had been answered! Not only that, it was precipitation free long enough for a few hours of shooting on my day off. Well, almost. There was a bit of snow falling from the sky but it was the dry, whimsically floating kind. 


So, off to Burnaby Lake Regional Park we went, as I had been dreaming to shoot there again since the previous snowfall. 


This time under my coat I wore a wonderfully medieval looking, velvet burgundy dress I found at Value Village (which sadly can't be seen), warm leggings, and more winter appropriate boots. It was around 2 degrees Celsius this time and I'd say the coat kept me pretty warm again. Only my toes got chilly after a while. 

"I'm journeying to Winterhold!", I say, knowing that my joke is outdated. It's about time for a new Elder Scrolls game though, in my opinion. Please Bethesda, make it happen.
Looking for my forest bird and squirrel friends.

Photography: Seth Rutledge
Styling, make-up, and photo editing: yours truly
Wig: 'Lani' style wig in 'white' by Mythril Wigs

Coat by ArmStreet 

Well, that's it for now. I give the coat a 5/5 and look forward to getting more things from ArmStreet in the future!
Now, I'm off to use these photos for my art studies. Till we meet again, friends!
medieval and fantasy style costumes, authentic handmade footwear and LARP boots and shoes, leather and brass accessories and, of course, our armor including a new line of lamellar armor suits, gothic armor, and regular heavy-combat armor. All our products will be custom-sized and shipped directly from workshops in Russia and Ukraine, as usual.

Source: https://armstreet.com/
medieval and fantasy style costumes, authentic handmade footwear and LARP boots and shoes, leather and brass accessories and, of course, our armor including a new line of lamellar armor suits, gothic armor, and regular heavy-combat armor. All our products will be custom-sized and shipped directly from workshops in Russia and Ukraine, as usual.

Source: https://armstreet.com/
medieval and fantasy style costumes, authentic handmade footwear and LARP boots and shoes, leather and brass accessories and, of course, our armor including a new line of lamellar armor suits, gothic armor, and regular heavy-combat armor. All our products will be custom-sized and shipped directly from workshops in Russia and Ukraine

Source: https://armstreet.com/
medieval and fantasy style costumes, authentic handmade footwear and LARP boots and shoes, leather and brass accessories and, of course, our armor including a new line of lamellar armor suits, gothic armor, and regular heavy-combat armor. All our products will be custom-sized and shipped directly from workshops in Russia and Ukraine